Contents
- What is the form of moanin by Art Blakey?
- The history of moanin by Art Blakey
- The form of moanin by Art Blakey
- The structure of moanin by Art Blakey
- The melody of moanin by Art Blakey
- The harmony of moanin by Art Blakey
- The rhythm of moanin by Art Blakey
- The instrumentation of moanin by Art Blakey
- The style of moanin by Art Blakey
- The influence of moanin by Art Blakey
If you’re a fan of jazz music, then you’ve probably heard of the composition “Moanin'” by Art Blakey. But what is the form of this piece?
In this blog post, we’ll take a look at the structure of “Moanin'” and how it creates such a memorable and catchy sound. By the end, you’ll have a better understanding of how this piece is put together and why it’s such a classic.
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What is the form of moanin by Art Blakey?
Most people are familiar with the twelve bar blues form, which is used in many popular songs. However, Moanin’ by Art Blakey is not in this form. The song is in AABA form, which is less common in popular music. This means that the song has two sections, each of which is eight bars long. The first section of the song is repeated after the second section.
The history of moanin by Art Blakey
Art Blakey’s “Moanin'” is a jazz standard that has been covered by many artists over the years. The tune was originally composed by pianist Bobby Timmons and was first recorded by Art Blakey and the Jazz Messengers in 1958. The composition has since become one of the most popular jazz standards and has been covered by artists such as Miles Davis, John Coltrane, and Herbie Hancock.
The form of moanin by Art Blakey
The form of “Moanin'” is a twelve-bar blues in AABA form without the final A section. The first and last A sections are eight bars each, while the middle B section is six bars. The first A section features the horn melody over a chord progression of | Am7-D7-Gm7-C7 | Fm7-Bb7 | EbMaj7 |. The second A section is a repeat of the first, while the B section features a solo over the chord progression | Am7-D7-Gm7j9-Cmaj9#11 | Eb6#9.
The structure of moanin by Art Blakey
The piece Moanin’ by Art Blakey is in AABA form. The first A section is 8 bars long, the B section is 16 bars long, and the second A section is 8 bars long.
The melody of moanin by Art Blakey
There is no denying the fact that the melody of moanin by Art Blakey is truly unique and unforgettable. While the original composition is for piano, many other instruments have been used to perform it including saxophone, trumpet, and even guitar.
The harmony of moanin by Art Blakey
The form of moanin by Art Blakey is unique in that it combines both the traditional AABA form with a call and response section. The result is a blues feel with a bit more complexity.
The rhythm of moanin by Art Blakey
The rhythm of moanin by Art Blakey is in the form of a blues ballad. The song is written in the key of C minor and has a slow, mellow feel to it. The lyrics of the song are about a man who is mourning the loss of his love.
The instrumentation of moanin by Art Blakey
The instrumentation of moanin by Art Blakey is piano, bass, drums, and trumpet.
The style of moanin by Art Blakey
The style of moanin by Art Blakey is a Afro-Cuban jazz. The piece was composed by Horace Silver, and features solos from Blakey, Lee Morgan, and Benny Golson.
The influence of moanin by Art Blakey
Art Blakey’s “Moanin'” is a jazz standard composed by Benny Golson. The tune has a memorable stop-time opening vamp, over which Golson’s tenor solo is played, followed by another stop-time section which features Blakey’s drumming. Bobby Timmons’ piano solo is also worth mentioning. The form of the tune is AABA.
